Depicting a musical of metaphors as a group of assorted animals salute their naval troops in a Disney-esque propaganda film, Seo – although primarily commissioned by the Japanese Navy – acted to ensure a sense of childlike wonder to his otherwise ideological piece. Instilling a semblance of peace and hope amidst an overall nationalistic narrative, which literally ends with a group of animal children parachuting onto a map of the United States – presumably suggesting the next goal.

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